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The Social History of Smoking

George Latimer Apperson

Chapter 10:

In more fashionable circles the mere possession of a pipe might be looked at askance. Robertson's comedy "Society" was produced in 1865, and in it, Tom Stylus, a somewhat Bohemian journalist, has the misfortune, in a fashionable ball-room, when pulling out his handkerchief to bring out his pipe with it from his pocket. The vulgar thing falls upon the floor, and Tom is ashamed to claim his property and so acknowledge his ownership of a pipe. He presently calls a footman, who comes with a tray and sugar-tongs, picks up the offending briar with the tongs, and carries it off "with an air of ineffable disgust."

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The Social History of Smoking

George Latimer Apperson

Chapter 2:

It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

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